National History Museum
 
 

News

  • NATIONAL MUSEUM: Opening of a new Temporary display entitled, ‘Illuminated Manuscripts’.

    15 February 2018

    Our newest temporary display, which will run from February until May 2018, is up! ‘Illuminated Manuscripts’ is a uniqueexhibitionresulting from a collaboration between four of Central South Africa’sheritage institutions; The National Museum (Bloemfontein), Oliewenhuis Art Museum (Bloemfontein), William Humphreys Art Gallery (Kimberley), and The McGregor Museum (Kimberley).

    The exhibit explores the predecessor of printed books by discussing the materials, techniques, tools and customs employed when producing hand-made books. On display are a variety of articles and works from the collections of the above institutions as well as many reconstructions of historic techniques, exemplars of available materials, and a wealth of technical information for those who wish to know more.

    In order to further explore this fascinating craft a bookbinding workshop will be presented at Oliewenhuis Art Museum in late February by specialist bookbinder and paper conservationist, Johann Maree.

    The exhibit will travel to Kimberley, and be on display at the William Humphreys Art Gallery from June 2018. They will present an additional calligraphy workshop and WHAGFILM will screen a beautiful movie inspired by medieval illuminated manuscripts.

  • Women’s Fashion through the Decades

    21 August 2017

    Woman’s fashion, like most art forms, has undergoneradical changes and growth throughout the twentieth century.Because fashion has always been key in how women present and express themselves to the world, it can be viewed in order to understand the customs and norms of a particular era or culture.

    In celebration of Woman’s Month, the National Museum has compiled an exhibition on the development of Woman’s fashion during the twentieth century. The exhibition, which will run until November 2017, covers most major developments in popular fashion and displays fashion items from the National Museum’s comprehensive historic collection.It shows the progression fromthe early 20th century, with itsmodest and constricting corsets, hoops, and innumerable petticoats that covered, compressed, and physically modified women's figures, to clothing thathad a more natural, comfortable and self-expressive quality.

  • Africa Month - The Year of OR Tambo

    28 June 2017
    African Masks
    African Masks

    In May, South Africa celebrates Africa Month under the theme: “The Year of OR Tambo: Building a Better Africa and a Better World”. Africa Month provides an opportunity to promote African unity, deeper regional integration and a recommitment to a common African destiny. A new temporary exhibit entitled ‘Africa’s Rainbow of Cultures’ has been installed in celebration of Africa Month.

    African Masks

    Africa is the world’s second largest continent and home to 1.2 billion people. The continent comprises 54 independent states of which Algeria is the largest in terms of surface area and Nigeria is the most densely populated state. Home to a diversity of ethnic groups, Africa boasts a rich variety of cultures. Various factors have influenced and shaped African cultures, including religion, the environment, politics, technology, innovation and inter-cultural interactions.

    African cultures are known for their traditional crafts, such as basketry, pottery, woodcarving, textiles (woven and printed), musical instruments and the making of tools and weapons. This exhibition aims to showcase Africa’s rainbow of cultures by means of a selection of artefacts from the National Museum’s anthropology collection. Objects and textiles from a variety of countries ranging from Egypt in the north, Nigeria in the west, Kenya in the east and Zimbabwe in the south, display the vast cultural diversity of a vibrant and fascinating continent.

    Two special exhibits have also been put up for Africa Day one presents the African Union flag and anthem and the other is a commendation to OR Tambo.

  • History of the Mangaung Fire Brigade

    9 March 2017

    A temporary exhibition about the history of fire fighting in Bloemfontein / Mangaung, in partnership with the Mangaung Fire Brigade Museum, is currently on show at the National Museum.  The exhibition showcases antique equipment, tools and gear from the Mangaung Fire Brigade Museum's extensive collection. These authentic articles show the technological advancement of fire fighting practices over time. They also illustrate the challenges, vulnerabilities and limitations posed by equipment available at the time and how these aspects were overcome by inventive strategies and innovations.  

  • Opening of the Vêrlander exhibition

    1 December 2016
    Opening of the exhibition by Her Excellency Ms Marisa Gerards.
    Opening of the exhibition by Her Excellency Ms Marisa Gerards.

    Vêrlander exhibition

    Vêrlander is a visual event celebrating the cultural heritage of the hitherto largely ignored indigenous communities of Khoekhoe descent in Southern Africa.  The project documents the stories of 19th century chiefs Cornelius Kok, Josef Frederick, Dirk Vilander, Frederic Vleermuis and Goliath Yzerbek.  They are founding fathers of the Griqua people, Mier Basters, Oorlam Nama and ‘Regshande’ Korana.  The word Vêrlander was used by one of the interviewees in the Kalahari to indicate that his forefather came from ‘a far away land’.  The exhibition comprises some 30 portraits of the descendents of these chiefs and members of their communities.  

    This exhibition is the outcome of a project undertaken by Mr Geert Snoeijer, Dutch documentary and portrait photographer with a strong interest in anthropology, and Dr Bart de Graaf, Dutch historian and writer with a vast knowledge of South Africa. 

    As this exhibition is part of a larger project on the interaction between Dutch colonial rule and indigenous communities during the 17th and 18th centuries, Vêrlander will also be exhibited in the Netherlands (Westfries Museum in Hoorn), Australia (Western Australian Museum in Geraldton) and Indonesia (Galeri Jurnalistik Antara, Jakarta).

    The exhibition was opened by the Netherland’s Ambassador to South Africa, Her Excellency Ms Marisa Gerards, on 24 November.  

    From left: Dr Bart de Graaff, Her Excellency Ms Marisa Gerards, Ambassador of the Netherlands to South Africa, and Mr Geert Snoeijer.

     

     

    Mr Geert Snoeijer, photographer,  and Mr Adam Kok from the House of Cornelius Kok II from Campbell, Northern Cape, admiring his portrait.

     

     

    Members of the House of Cornelius Kok II Griekwa community from Campbell, Northern Cape, singing Psalm 100 during the opening function.

     

     

    Her Excellency Ms Marisa Gerards and Mrs Valerie Beck from Bloemfontein at Mrs Beck's portrait.

     

     

    Mr Geert Snoeijer (centre) with Mr Christo Venter and Me Toni Pretorius, both of the Museum's Design Department, at the portrait of Me Hendriena Kok from the House of Cornelius Kok II in Campbell.

     

     

    Her Excellency Ms Marisa Gerards with Me Limakatso Koloi, Mayor of the Dawid Kruiper Local Municipality, Northen Cape. 

     

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  • Why did the turtle shell evolve?

    14 July 2016
    Reconstruction of burrowing Eunotosaurus africanus, in the Karoo Basin
    Reconstruction of burrowing Eunotosaurus africanus, in the Karoo Basin

    It is common knowledge that the modern turtle shell is largely used for protection. No other living vertebrate has so drastically altered its body to form such an impenetrable protective structure as the turtle. However, a new study published in Current Biology on the earliest partially shelled fossil turtles suggests the broad ribbed proto shell was initially an adaptation, not for protection, but rather for burrowing underground.

    The early evolution of the turtle shell has long puzzled scientists. “We knew from both the fossil record and observing how the turtle shell develops in modern turtles that one of the first major changes towards a shell was the broadening of the ribs,” says lead author Dr. Lyson of the Denver Museum of Nature and Science.

    “From the bone microstructure, we found additional evidence of increased muscle power in the forelimbs, a strong indication that this animal was a regular digger” says co-author Dr Jennifer Botha-Brink from the National Museum, Bloemfontein who was involved in the bone microstructure analysis.

    A big breakthrough came with the discovery of several specimens of the oldest (260 million years old) partially shelled proto turtle, Eunotosaurus africanus, from the Karoo Basin of South Africa. Several of these specimens were discovered by two of the studies’ co-authors, Drs. Roger Smith and Bruce Rubidge from the University of the Witwatersrand in Johannesburg, but the most important specimen in the study was found by a then eight year old South African boy, Kobus Snyman, on his father’s farm in the Western Cape of South Africa.

    “As is the case with many evolutionary innovations, the turtle shell developed for entirely different reasons from its function today. In this instance, the broadened ribs, originally adapted for keeping the body stable during digging and providing a foundation for the insertion of powerful shoulder and arm muscles, only became involved in protection millions of years later”, says Dr. Jennifer Botha-Brink.

    The study includes authors from the United States, South Africa, and Switzerland.

     

    Contact:

    Dr Jennifer Botha-Brink

    National Museum, Bloemfontein

    Email: jbotha [at] nasmus [dot] co [dot] za

    Phone: +27 51 447 9609

     

    Author Institutions’ Media Contacts:

    University of Witswatersrand

    Erna van Wyk: erna [dot] vanwyk [at] wits [dot] ac [dot] za

    Shirona Patel: Shirona [dot] Patel [at] wits [dot] ac [dot] za

     

  • Inscribing Identity

    30 June 2016

    Youth culture and body art - Ancient practices popularised by the youth

    Since the development of distinct cultures among various tribes, humans have had the desire to express their sentiments and social standing in a visual way.  The human body (especially the skin) presents a canvas that can be decorated and altered to express individual and group identity in a permanent or temporary manner.

    Evidence of body art dates from the late Neolithic Period in Europe (8000 to 3000 BCE), found on a naturally mummified body discovered in the Alps on the Austrian-Italian border.  The mummy, who lived about 5 300 years ago, had various simple tattoos as well as a piercing in one ear. 

    Body art has recently been re-embraced as a highly personal, subjective medium of expression, particularly among the youth.  An increasing acceptance of permanent or semi-permanent body art has enabled it to grow both aesthetically and ethically as a widely practiced and celebrated art form.

    This exhibition explores the history and current application of body art among various cultures.

  • Inscribing Identity

    30 June 2016
    Inscribing Identity
    Inscribing Identity

    Youth culture and body art - Ancient practices popularised by the youth

    Since the development of distinct cultures among various tribes, humans have had the desire to express their sentiments and social standing in a visual way.  The human body (especially the skin) presents a canvas that can be decorated and altered to express individual and group identity in a permanent or temporary manner.

    Evidence of body art dates from the late Neolithic Period in Europe (8000 to 3000 BCE), found on a naturally mummified body discovered in the Alps on the Austrian-Italian border.  The mummy, who lived about 5 300 years ago, had various simple tattoos as well as a piercing in one ear. 

    Body art has recently been re-embraced as a highly personal, subjective medium of expression, particularly among the youth.  An increasing acceptance of permanent or semi-permanent body art has enabled it to grow both aesthetically and ethically as a widely practiced and celebrated art form.

    This exhibition explores the history and current application of body art among various cultures.